It’s a big old goof, but punctuated by telling commentary about the direction society, the planet and literature are all going-which, suffice it to say, is not the ideal one.Ī smart, fun satire-Jonathan Swift in space, with twists befitting Vincent Price.įour men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions-as an architect, painter, actor and lawyer-and struggling with demons in their intertwined personal lives. Moody brings in dozens of characters major and minor, from a chimpanzee to a “fucking ridiculously hot girlfriend” to desert rednecks to astronauts and bureaucrats, and not a one of them wasted as he gamely intertwines their destinies, he switches mood, voice, register and generally has a grand old time twitting the conventions of science fiction and literary narrative alike. Those four fingers make a lethal little package, however, creepy-crawling around and transmitting icky space sicknesses to the inhabitants of terra firma. (That film is real, and no one you’ve ever heard of, apart from maybe Alan Hale of Gilligan’s Island fame, is in it.) And why, of that hand, do only four fingers figure? Well, something has happened to the middle of them, along with the corporeal remains of a crew of astronauts unfortunately exploded over the Arizona desert on re-entry from Mars to Earth.
His near-future tale opens in 2024 with a sad sack of a writer named Montese Crandall, who-shades of Twitterous tweets-has been perfecting the art of reducing an epic to a single line: “We went with the stealth bomber,” and “Last one home goes without anesthesia.” Crandall is quite proud of this, exulting, “I, Montese Crandall, M.F.A., write very short, very condensed literary pieces, and by short, I mean very, very short.” Well, the insiderish, self-referential joke’s on us, for Moody-or, better, Crandall-then proceeds to deliver a massive shaggy dog of a tale, a novelization based on an old 1960s grade-Z film called The Crawling Hand. Mash up Isaac Asimov with Thomas Pynchon, with dashes of Ray Bradbury and Kurt Vonnegut, and you begin to approach Moody’s madcap view on the world. A rollicking romp through deep space and Arizona alike, improbable and thoroughly entertaining, courtesy of master storyteller Moody ( Right Livelihoods, 2007, etc.).
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